I I I
DIET DEPRESSION. Oslo, Norway – 2015
I AM I AM I AM I AM god it all gets boring! boring
lexus finn nilssen. all to come!
GREENS EAT YOUR GREENS BOY!
Future projecTS blahh blahh twatsinFOO
Vernissage 14 Aug 19:00 Fotogalleriet |
10:00 - 21:00 |
| PANGS OF MATURE ANXIETY (creeping while reflecting) PARIS 2014 look and you'll find wonderbar inslazzionez imagerios |
AFTER SOME LEGAL PROBLEMS - NAME CHANGE - STAYED TUNED |
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OSLO KUNSTNERNES HUS - |
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In these Great Times curated by Francois Piron ( The Harrow The Sparrow The Sorrow by Victor Boullet) SStrangling FFrozen FFlamingo + 47 15 12 24 - a study by Victor Boullet - written by Stian Gabrielsen BONUS LAUNCH LIVERPOOL LIVERPOOL |
PARIS -- A LEGACY WORTH NOTHING / INSTALASIIOOUN VU VIEW LA -- PISSANT / INSTALASIIOUUN VU VIEW |
 GALLERI J TANG PARIS - A LEGACY WORTH NOTHING by VICTOR BOULLET  A LEGACY WORTH NOTHING by VICTOR BOULLET INSTTALLAAOTION VIEW / TRADITIONAL FORM |
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LOS ANGELES
PISSANT by VICTOR BOULLLLETTT |
¡ʎAS HUNGER) (ɹǝƃunɥ sɐp ɥɔı ɥɐןq ɥɐןq ɥsıqqnɹ - oɯoɹd ˙uıǝu - ɥɔıɯ uǝzǝ ɥɔı sɐp)snq os ɯɐ ı ǝɯoɔ ʇsnɯ sʍǝu 2014
¡ʎsnq os ɯɐ ı ǝɯoɔ ʇsnɯ sʍǝu Stay busy and remember to feed your needzs AS HUNGER) (ɹǝƃunɥ sɐp ɥɔı ɥɐןq ɥɐןq ɥsıqqnɹ - oɯoɹd ˙uıǝu - ɥɔıɯ uǝzǝ ɥɔı sɐ
9 - 1 - 2014 / 31 - 1 - 2014 |
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NEXT NEO CAMPARI.com march 2014 - just dealing with some law / legal matter-
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HERE IS GIF FROM A VID PIECE 2001 - WORKING ON MORE PROMO MATERIAL AND LOTS OF INSTALLATTIOONSSS IMAGEZZ WOW - BOULLET IS CLEVER! work work  HERE IS GIF FROM A VID PIECE 2001 - WORKING ON MORE PROMO MATERIAL AND LOTS OF INSTALLATTIOONSSS IMAGEZZ WOW - BOULLET IS CLEVER! work work HERE IS GIF FROM A VID PIECE 2001 - WORKING ON MORE PROMO MATERIAL AND LOTS OF INSTALLATTIOONSSS IMAGEZZ WOW - BOULLET IS CLEVER! work work |
ESSAY
read read read - Acceptance in Action (Part 1) NO SEX NO FACE NO NOSE ESSAY? ??? øøø |
NO SEX NO FACE NO NOSE
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SALONG MALERI WEEKPLANin JPGsss (BRAG BGRAG SHOW OFF) |
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26JULY Amsterdam INSTALLATION VIEW
ETCAMA: The Problem of Everything |
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For all the info click
hereNEO CAMPARI http://neocampari.comhttp://neocampari.com http://neocampari.com
COLE GALLERY! London June 2013
(download card here) Please gather all the art from both floors of the show to the centre and as close as possible the the main entrance door of the gallery and cover it all with green tarpaulin bought from a DIY shop (if they don’t have green, please get blue) no gaps, no openings. Place the post cards that you’ll receive from Alex in the post next to the covered art, just simply straight on to the floor, one / two piles. (I need about 30 cards to be sent to Paris as well) and, Alex Ross will not attend the vernissage / opening for his show. Victor Boullet |
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Noplace invite
24 Spaces – A Cacophony at
Malmö Konsthall
4.5. – 18.8.2013
Opening: Friday May 3, 5-9 p.m.
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| Two weeks later, the day after the opening I walked into the show within the show with Louis and Victor (bouillon). They were talking seconds before but suddenly their mouths laced up and they embraced the context as a quiet church. They took a quick round and swiftly noted a handful of works that were worth the while (short), then returned to their own works and started pondering over their existential value or the deliberate absence of such bullshit. Louis, the young and talented fool was mentally circling around the materiality of his sculpture, there! dropping on the wall, over the wall, like an overly controlled dose of spoiled extravagance, shiny darkly. Victor, who came about more composed and not as sophomorically hung over from FOMO than his minion, took a quick glance at his floor sculpture; five or six or eight self-portraits of himself as a gipsy, drawn with crayon in a rush, piled up and placed in two thin plastic bags from a French photo lab. In a split second of aggressive whateverness he grabbed the plastic bags (the artwork) and ripped them off the floor in one single nihilistic joyful gesture. There! The guards stood by and watched with the obvious expression of wanting more, clearly understanding the whole set-up as some performance of aftermath as well as fighting their instinctive urge to take action in what could also be an act of vandalisation from some well-dressed maniac. There! We left the space with the strong sensation of having nailed something with needles the size of our chest hair. |
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| missing image! Victor Boullet (B. Oslo 1969) Stolen banner 80 X 175cm MORE INFO TO COME. |
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| Victor Boullet (B. Oslo 1969) L’Homme qui Marche I - 2013 (B/W photograph / Tsingtao beer box / Dust / Tape / Wax table cloth / Table / Size variable) |
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| VestFossen Art Museum Norway 2013 |
Victor Boullet This is an hypocritical parasitic artwork given to Morten Viskum for his show 1986 - 2013 / En kunstner som samler kunst. Victor Boullet |
Victor Boullet
(B. Oslo 1969)
L’Homme qui Marche I - 2013
(B/W photograph / Tsingtao beer box / Dust / Tape /
Wax table cloth / Table / Size variable)
Neo Campari (Paris)
Project Room
2 April - 3 May 2013
L’Homme qui Marche I
by Victor Boullet
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 Oil on CANVAS V BOULLET |
Das Poppycock Talent |
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| Neo Campari / thanks James http://neocampari.com/2_press/daspoppycock.html |
| Das Offical Press Release buy, buy here, here, here 2013 | |
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Neo Campari (iaM tHat gYpsY.com) |
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| Gallery Kamm, Berlin – Vernissage Friday, 1 February 2013, 6pm - 9pm 2 - 23 February 2013 DOMMAGE QU'ELLE DOIVE MOURIR, MAIS C'EST NOTRE LOT À TOUS! The Institute of Social Hypocrisy Berlin Flag, Hand Stitched Satin, 70 X 100cm - Ream of headedpaper 2009 |
 My Puppy Dog # 9 (Hommage to Carl Nesjar) 2012 |
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Self Portrait as a working man - Looped DVD, 02:07, 2012
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Victor Boullet - (digressions) Cock The Hammer / Performance - Lecture - KUNSTHALLE EXNERGASSE WUK, WIEN - 19:00 - 16 November 2012 ...... info
Copyright: Bildnachweis / image credit: Kunsthalle Exnergasse
Joseph Tang <info@ galerijosephtang.com> Hey, Victor I'm back. Can we change the ramen to just dry ramen? Otherwise I wouldn't be able to keep it like this, I open the windows for now, but it's cold after a while... Let me know Joe |
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ART FORUM on YELLOW PONG MONGER 2012
ART FORUM on YELLOW PONG MONGER 2012
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The book The Institute of blah.
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Thou Adidas Monger / 09.11.12—11.11.12 ARTISSIMMA 19-Hall Violet / Booth N°13 - Victor Boullet Solo Presentation - Turin, Italy |
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Henie Onstad Kunstsenter Oslo 4th October 2012 / Performance / Lecture - TOR HOFF (1925 - 76) |
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| http://boullet.com/6_DEAD_PROJECTS/7_HALLZ/tor.hoff/torhoff.html http://www.kunstkritikk.no/nyheter/fragmentene-av-en-glemt-modernist/ |
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| Saturn the Flamingo - NoPlace Oslo 2012 |
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Time is the Assasin by Victor Boullet Ghostwritten by Kristian Skylstad 2012 – 96 Pp-14 x 21 cm-Softcover B / W Offset-Edition 1000-ISBN: 978 - 1 - 908806 - 02 - 4 |
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Estate Of - KRONOS by VICTOR BOULLET - 132 PP - 21X28 cm / Softcover - Colour Offset - Edition of 1000 - 2012 - ISBN 978-1-908806-01-7 - More here |
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| Anstruther Scotland 2012 Galerie Joseph Tang (PARIS) | |
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| Practical Sculpture (Anstruther) 2011 (Paris) | |
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Bonus - Victor Boullet - Shanaynay Paris |
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| The Institute of Social Hypocrisy 16 May 2009 – 16 May 2011 Here are just some image from the ISH, more to come at some point in time. |
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| EDINDBURGH SCOTLAND Early 2010 I PRETEND TO LIKE HAROLD PINTER |
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SOMMER & KOHL BERLIN |
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SOMMER & KOHL BERLIN / 2011 |
| Victor Boullet for more visuals go go go here and there! http://boullet.com boullet.me here you, you - here you find everything www.hallsofjusticepaintedgreen.com  www.hallsofjusticepaintedgreen.com www.hallsofjusticepaintedgreen http://boullet.com- here you, you - here you find everything! or here jpg.bboullet.com boullet.me and this OR time is the assassin OR KRONOS zzzzzzzZZZzzZZZz |
____________________________________kashødiouasiouIFBØdisof __________________ioiyoå8otuitp7it
BIO / CV as pdf, extracts, I update it when possible. workworkwork |
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Tor Hoff (1925 - 1976) April 19th 1976, Huitfeldts gate 17, Oslo, the artist Tor Hoff took a hammer and brutally killed his partner. He then sat himself down on a chair at their table and wrote his will, his paintings were the first thing to be mentioned, they must be taken care of. He then signed it, TOR HOFF in large, clear letters, his final pencil marks. How should one view paintings, drawings and poetry produced by a man who can also commit murder and suicide? Is our understanding of Tor Hoff’s legacy and his story, influenced by our ethics and morals? |
Time is the Assassine by Victor Boullet 2012
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More web Debris –––––––––––––––––––––––––––– |
From: campari@ annafranckinc. com –––––––––––––––––––––––––––– |
Part II – Let me introduce myself What I write, what I have written has to do with who I am or who I think I am or who I thought I was. What I see has made me think differently about what I thought I saw. For a melancholic like me, poetry, art and world cruelty I do, do like. The diplomat here is me. Self-content and kind I am, that phlegmatic is I. Sanguine , sanguine , sanguine I am. Daydream, social gatherings and, and, and, and making new friends I do, I do. The loud and creative you see, yes, that is me. Alone time is needed for my temperament and you? Paris 2010 |
This is the MS for The ISH project 2009 - 2011, works for me! The ISH provides a perception of authority and thus acts as a Trojan horse; it permits the contributors to covertly infiltrate organizations and to gain access people that they might not normally be able to approach. The fundamental theme recurring in Victor Boullet’s work is that of alienation and acceptance. He highlights the aspects of intrinsically hypocritical social behaviour used to ingratiate oneself with others. This sense of exclusion, and the subsequent desire to put up an illusion of conformity, functions as the point of departure for the activities taking place within the The Institute of Social Hypocrisy The Institute combines these two connected aspects, of simulated bureaucracy and hypocrisy to form a conceptual umbrella under which a programme of related events can take place. It provides a structure for artists to take control of the programming and direction of their work and to be responsible for the events, installations and publications that occur. |
| ¨As time goes by and I look forward into some sort of a future I have no need to look back at what I have done or achieved. My work has, since my birth, been rooted in hypocrisy, acceptance and exclusion. My work changes as I change as the world changes, I see no need to keep a thread running through the look of my work. I cannot escape myself and that answers all questions. The content, the root will always stay the same regardless of the material, so let nothing fool you into thinking otherwise¨ (Victor Boullet, 2010) blah blah Boullet, who cares about these quotes? |
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 Henie Onstad Artcenter 2012 |
 KronOS |
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 Oil on Canvas 2012 |
 Chicken poster Berlin, could be a c-type I guess - more important, the chicken is upside down - idiot! |
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 Kronos Launch London June 2012 |
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You have been blacklisted.
2637 E Atlantic Blvd #15906 | Pompano Beach, FL 33062, USA In compliance with the CAN-SPAM Act of 2003 |
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| Texts that I find somewhere / receive, sometimes I even like them. More to come here at some point Destructive character Anna Franck's little fuck up! She managed to send this email out to a lot of people! Georges Didi-Huberman's book Invention of Hysteria (pp. 7-8, 2003) (From Theo) Wikipidia DELITION(when promotion goes wrong, I am not guilty of this act, twat) |
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